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    Robert Minor. Pittsburgh (1916) 
    Source
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    |     
    Robert Minor, Morgan, Mellon, and Rockefeller (c. 1922) 
    Source
  | 
  
  
    |     
    Thomas Hart Benton, Boomtown (1928) 
    Memorial Art Gallery, University of Rochester
  | 
  
  
    |     
    Louis Lozowick, Hanover Square (1929) 
    Smithsonian Art Museum 
    Source
  | 
  
  
    |     
    James N. Rosenberg, Oct 29 Dies Irae ("Days of Wrath"),
    1929 
    Source
  | 
  
  
    |     
    Edward Hopper, Railroad Sunset (1929) 
    Whitney Museum of American Art 
    Source
  | 
  
  
    |     
    Louis Lozowick, Brooklyn Bridge (1930) 
    Smithsonian American Art Museum 
    Source
  | 
  
  
    |     
    Raphael Soyer (1899-1987), Furnished Room 
    n.d., etching 
    7 by 8 3/4 in. 
    Sheldon Memorial Art Gallery and Sculpture Garden, Univ. of Nebraska-Lincoln 
    U.S. Government WPA Allocation 
    Source
  | 
  
  
    |     
    Mabel Dwight, In the Crowd (1931) 
    Source
  | 
  
  
    |     
    Mable Dwight, Banana Men, n.d. 
    Source 
    
  | 
  
  
    |     
    Clare Leighton, Loading (1931) 
    Source
  | 
  
  
    |     
    Diego Rivera, Frozen Assets (1931) 
    Fresco 239 x 188 cm. 
    Collection of Dolores Olmedo 
    Source
  | 
  
  
    |     
    Diego Rivera, from Detroit Industry (1932) 
    Copyright © The Detroit Institute of Arts 
    Source
  | 
  
  
    |     
    William Gropper, The Coffee Pot (1932) 
    Pen and ink, 16"x12" 
    Source
  | 
  
  
    |     
    Edward Hopper, Room in Brooklyn (1932) 
    Museum of Fine Arts, Boston 
    Source
  | 
  
  
    |     
    Hugo Gellert, The Working Day, no. 37 (c. 1933) 
    Source
  | 
  
  
    |     
    Reginald Marsh (1898-1954), The Park Bench (1933) 
    Tempera on masonite mounted on panel 
    24 by 36 in. 
    Sheldon Memorial Art Gallery and Sculpture Garden, Univ. of Nebraska-Lincoln 
    Nebraska Art Association Collection 
    Source
  | 
  
  
    |     
    Reginald Marsh, Union Square (1933) 
    Lithograph 
    The Univ. of Michigan Museum of Art 
    Source
  | 
  
  
    |     
    Hugo Gellert, Primary Accumlation 19 (1933) 
    Source
  | 
  
  
    |     
    Arnold Ness Klagstad, Archer Daniels Midland Elevator (1933) 
    Source
  | 
  
  
    |     
    Thomas Hart Benton, Mine Strike 
    Source
  | 
  
  
    |     
    Alice Neel, Investigation Of Property At The Russell Sage Foundation (1934) 
    Source
  | 
  
  
    |     
    Beh Shahn, Village Speakeasy Closed for Violation, c. 1934 
    Gouache, Mural Project for Central Park Casino 
    Museum of the City of New York 
    Copyright © 1997 Estate of Ben Shahn/Licensed by VAGA, New York 
    Source
  | 
  
  
    |     
    Alberta Kinsey, Fish Market (1934) 
    NMAA 
    Source
  | 
  
  
    |     
    Harry William Scheuch, Finishing the Cathedral of Learning (1934,
    Pittsburgh) 
    NMAA 
    Source
  | 
  
  
    |     
    Arthur Durston, Industry (1934) 
    NMAA 
    Source
  | 
  
  
    |     
    Raphael Soyer, Waterfront (1934) 
    Source
  | 
  
  
    |     
    Anton Refregier, San Francisco '34 Waterfront Strike (1940-48) 
    Source
  | 
  
  
    |     
    Jacob Burck, The Lord Provides (1934) 
    Source
  | 
  
  
    |     
    Nicolai Cikovsky, On the East River (c. 1934) 
    Source
  | 
  
  
    |     
    John Stewart Curry, Manhunt (1934) 
    Source
  | 
  
  
    |     
    Conrad A. Albrizio, The New Deal (1934) 
    Affresco by Conrad A. Albrizio, dedicated to President Roosevelt, placed in the auditorium
    of the Leonardo Da Vinci Art School (149 East 34th Street, NYC) 
    Source
  | 
  
  
    |     
    Thomas Hart Benton, Lord, Heal the Child (1934) 
    Source
  | 
  
  
    |     
    Blanche Grambs, No Work (1935) 
    Source
  | 
  
  
    |     
    Diego Rivera, The flower carrier (1935) 
    Oil and tempera on masonite 
    San Francisco Museum of Modern Art 
    Source
  | 
  
  
    |     
    William Gropper, Miners (1935) 
    Watercolor, 11"x11" 
    Source
  | 
  
  
    |     
    Harry Sternberg, Builders (1935-36) 
    Source
  | 
  
  
    |     
    Ben Shahn (American, b. Lithuania, 1898-1969)  
    East Side Soap Box (Roosevelt Mural Study), 1936 
    Gouache; 18 1/2 x 12 1/4 in.; 47 x 31.1 cm  
    The Jewish Museum, New York. Museum Purchase with funds  
    provided by Deana Bezark in memory of Leslie Bezark,  
    and by Mrs. Jack N. Berkman, Susan and Arthur  
    Fleischer, Dr. Jack Allen and Shirley Kaplan Fund,  
    Hanni and Peter Kaufmann, Hyman L. and Joan C. Sall;  
    and Bequest of Margaret Goldstein, 1995-61  
    (c) The Jewish Museum, New York.  
    Photo by John Parnell (c) Estate of Ben Shahn 
    Licensed by VAGA, New York, NY  
    Source
  | 
  
  
    |     
    Reginald Marsh, Twenty Cent Movie (1936) 
    Egg tempera on board 
    30x40in. (76.2x101.6 cm) 
    Whitney Museum of American Art, New York 
    Source
  | 
  
  
    |     
    David Alfaro Siqueiros, Workman  
    lithograph (1936) 
    Source
  | 
  
  
    |     
    Julius Weiss, Group of Men (n.d., linoleum cut) 
    Source
  | 
  
  
    |     
    Eli Jacobi, Bar and Grill (n.d.) 
    Source
  | 
  
  
    |     
    Eli Jacobi, All Night Mission (n.d.) 
    Source
  | 
  
  
    |     
    Hugo Gellert, A Wounded Striker and the Soldier (1936) 
    Source
  | 
  
  
    |     
    Louis Lozowick, Lynching (Lynch Law) (1936) 
    Smithsonian American Art Museum 
    Source
  | 
  
  
    |     
    Prentiss Taylor, Assembly Church (1936) 
    Source
  | 
  
  
    |     
    Thomas Hart Benton, "Kansas City," from Politics, Farming,
    and the Law,  
    Missouri State Museum (1936) 
    Source
  | 
  
  
    |     
    M. Lois Murphy, Weighing Fish (1936-37) 
    Source
  | 
  
  
    |     
    William Gropper, Construction of the Dam (1937) 
    NMAA 
    Source
  | 
  
  
    |     
    William Gropper, Youngstown Strike, (c.1937) 
    Oil on canvas, 20x40" (50.8x101.6cm.) 
    Butler Institute of American Art (Ohio) 
    Source
  | 
  
  
    |     
    Joe Jones, Wasteland (1937) 
    Source
  | 
  
  
    |     
    Philip Evergood, Sorrowing Farmers (1938) 
    Source
  | 
  
  
    |     
    Louis Lozowick, Guts of Manhattan (1939) 
    Source
  | 
  
  
    |     
    Joe Jones, Men and Wheat (Seneca, Kansas, 1939) 
    NMAA 
    Source
  | 
  
  
    |     
    Reginal Marsh, Grand Tier at the Met (1939) 
    Watercolor and goauche. 22 1/8 x 30 3/8 in. (56 x 77 cm) 
    Gift of Sylvia Brody Axelrad and Sidney Axelrad. 
    The Herbert F. Johnson Museum of Art, Cornell University 
    Source
  | 
  
  
    |     
    Moses Soyer, Artists on W.P.A (1939) 
    NMAA 
    Source
  | 
  
  
    |     
    Thomas Hart Benton, The Sower (1939) 
    Source
  | 
  
  
    |     
    Elizabeth Olds, Miner Joe (1940) 
    Source
  | 
  
  
    |     
    William Gropper, Automobile Industry (Detroit, 1941) 
    NMAA 
    Source
  | 
  
  
    |     
    Jerry Bywaters, Lumber Mill Interior (1941-42, Trinity, Texas) 
    Source
  | 
  
  
    |     
    Joseph Hirsch, Lunch Hour (1942) 
    Source
  |