On '"next to of course god
america i"
from Richard S. Kennedy, E. E. Cummings Revisited (New York: Twayne, 1994): 71.
[Davis comments on the inverted
syntax of the final line]
...Here
the adverb "rapidly" occurs in a most unlikely position in this sentence (which
is a sentence even though the end punctuation is lacking)....Why...would cummings have
inverted the syntax...? If we eliminate the
necessity for rhyming the final word of the poem with the final word of line eleven
("slaughter"), since clearly the necessary rhyme could have been achieved
without inverting the syntax ("And rapidly drank a glass of water"), then
cummings must have had some other reason for the inverted syntax. And what better reason than that in a sonnet in
which he has combined two forms [the Italian and English], and in a poem which expresses a
theme of "inverted" or confused philosophy, cummings, as persona,
inverts his apparently objective commentary on the situation and the words in which he
reports his commentary? In short then, this
syntactical inversion here at the end of the poem serves to indicate the similar
tranformation [sic] of the sonnet form which cummings has effected in terms of form and
further serves to point to the "inverted" philosophy of the speaker of lines one
through thirteen.
from William V. Davis, "Cummings' 'next to of course god america i.'" Concerning Poetry 3 (1970): 15.
Brian Docherty
‘next to of course god america i’ is a satire on both the cliché-spouting patriot and the gullibility of his audience. cummings includes most of the clichés politicians mouth at election time, and his point is that while anyone who dared to criticise any of these concepts would be labelled un-American and a commie subversive, it is politicians like this who have muted the voice of liberty. His general attitude to politicians is expressed succinctly in ‘a politician is an arse upon’, a two-line epigram m the best classical tradition.
From Docherty, Brian, "e.e. cummings." In American Poetry: The Modernist Ideal. Ed. Clive Bloom and Brian Docherty. New York: St. Martin’s Press, 1995. Ó 1995 The Editorial Board Lumiere (Cooperative Press) Ltd.
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