On "Negro"
Raymond Smith
In Hughes's poetry, the central element of importance is the affirmation of blackness. Everything that distinguished Hughes's poetry from the white avant-garde poets of the twenties revolved around this important affirmation. Musical idioms, jazz rhythms, Hughes's special brand of "black-white" irony, and dialect were all dependent on the priority of black selfhood:
I am a Negro
Black as the night is black
Black like the depths of my Africa.From Victor Kramer, ed. The Harlem Renaissance Re-examined (1987).
Return to Langston Hughes